Operatic space
Dec. 22nd, 2015 08:48 amWe went to see "The Force Awakens" yesterday, and I also finished reading Ancillary Mercy, which is probably a very interesting coincidence that I will not explore in detail. The latter I enjoyed the most of the trilogy, probably because I had a clue what was going on understood the ins-and-outs of the universe from the beginning and was able to jump right in and ride. It's a nice trip, and I got a deeper sense of the characters this time, and a sense of the time depth of the world - which I think is important to getting how things have been for a good long while and how they are changing. Also, I would like to see Ann Leckie write straight-up comedy.
The Star Wars movie I had a great time with, and on the whole really liked, and then we came home and dissected it into tiny pieces, so I don't have to do that again here, but if anyone cares to discuss in the comments I'll put a few talking points behind a cut.
( spoilers of course )
There was an interesting opinion piece in the Washington Post yesterday about how [spoiler] is totally our fault because we can't stick our endings any more in today's genre world (link is, since they oddly haven't updated it, to an older version of the piece where the writer hadn't seen the film yet and didn't know for sure that [spoiler] would happen, but it says essentially the same thing). I do agree that one can get tired of franchises, but I'm not tired of this one yet, and I think that [spoiler] may have been exactly the right thing to happen, and then I read this in Ancillary Mercy:
Entertainments nearly always end with triumph or disaster--happiness achieved, or total, tragic defeat precluding any hope of it. But there is always more after the ending--always the next morning and the next, always changes, losses and gains. Always one step after the other. Until the one true ending that none of us can escape. But even that ending is only a small one, large as it looms for us. There is still the next morning for everyone else. For the vast majority of the rest of the universe, that ending might as well not ever have happened. Every ending is an arbitrary one. Every ending is, from another angle, not really an ending.
Which I entirely agree with, while still appreciating the climactic boom.
We saw the film at the iPic, which offers (for a steep ticket price) reclining comfy seats, free popcorn, and waiter service for food and drinks including alcoholic ones - I had a mocha martini, which is not a martini at all of course but was yummy - which was a great experience for this particular film, not eclipsing my first viewing of "The Empire Strikes Back" at a huge movie palace in Boston, with a thousand other people for whom "I am your father" was a total shock, but creating its own memory. Probably the only time we'll go there (if we go back, I hope they'll have fixed the huge lines for parking ticket validation and put enough toilet paper in the women's room) but I'm glad we tried it.
The Star Wars movie I had a great time with, and on the whole really liked, and then we came home and dissected it into tiny pieces, so I don't have to do that again here, but if anyone cares to discuss in the comments I'll put a few talking points behind a cut.
( spoilers of course )
There was an interesting opinion piece in the Washington Post yesterday about how [spoiler] is totally our fault because we can't stick our endings any more in today's genre world (link is, since they oddly haven't updated it, to an older version of the piece where the writer hadn't seen the film yet and didn't know for sure that [spoiler] would happen, but it says essentially the same thing). I do agree that one can get tired of franchises, but I'm not tired of this one yet, and I think that [spoiler] may have been exactly the right thing to happen, and then I read this in Ancillary Mercy:
Entertainments nearly always end with triumph or disaster--happiness achieved, or total, tragic defeat precluding any hope of it. But there is always more after the ending--always the next morning and the next, always changes, losses and gains. Always one step after the other. Until the one true ending that none of us can escape. But even that ending is only a small one, large as it looms for us. There is still the next morning for everyone else. For the vast majority of the rest of the universe, that ending might as well not ever have happened. Every ending is an arbitrary one. Every ending is, from another angle, not really an ending.
Which I entirely agree with, while still appreciating the climactic boom.
We saw the film at the iPic, which offers (for a steep ticket price) reclining comfy seats, free popcorn, and waiter service for food and drinks including alcoholic ones - I had a mocha martini, which is not a martini at all of course but was yummy - which was a great experience for this particular film, not eclipsing my first viewing of "The Empire Strikes Back" at a huge movie palace in Boston, with a thousand other people for whom "I am your father" was a total shock, but creating its own memory. Probably the only time we'll go there (if we go back, I hope they'll have fixed the huge lines for parking ticket validation and put enough toilet paper in the women's room) but I'm glad we tried it.